Rococo is valid Scrabble Word

Is rococo a scrabble word?
Official Scrabble Players Dictionary YES
Official Tournament and Club Word List YES
Collins Scrabble Words YES
Is rococo valid Words with Friends?
Words with Friends YES

6 letters word
10 points in Scrabble
12 points in WWF

Definitions for ROCOCO in dictionary:

NOUN:

(French) a style of architecture marked by much ornamentation esp. scrollwork
the rococo style of art, decoration, or architecture
A florid style of ornamentation which prevailed in Europe in the latter part of the eighteenth century.
fanciful but graceful asymmetric ornamentation in art and architecture that originated in France in the 18th century
style of architecture and decoration characterized by elaborate ornamentation

ADJECTIVE:

denoting furniture or architecture characterized by an elaborately ornamental late baroque style of decoration prevalent in 18th-century continental Europe, with asymmetrical patterns involving motifs and scrollwork
(especially of music or literature) extravagantly or excessively ornate
(of furniture, architecture, etc) having much elaborate decoration
Of or pertaining to the style called rococo; like rococo; florid; fantastic.
having excessive asymmetrical ornamentation

OTHER DEFINITIONS:

a style of architecture and decoration

Words related to ROCOCO

Words that contain ROCOCO

How to use ROCOCO in a sentence

Sylvia began to plan out a comparison of dress with architecture, bringing out the insistent tendency in both to the rococo, to the burying of structural lines in ornamentation.
Above the choir, however, the inner ceiling gave way, thereby partially damaging the upper part of the rococo altar of stone which was without any particular artistic value.
There was the morning-room, with its pale lemon walls, its painted Venetian chairs and rococo tables, its mirrors, its modern pictures.
It was a heavy and complicated erection, of a sumptuous and rococo style, which had cost the second Cardinal de Bourbon a fortune at the beginning of last century.
There is one fifty-six-story rococo castle, built from the five-and-ten-cent-store earnings of a merchant prince, that shoots upward with the beautiful rush of a Roman candle.
Like a dram-drinker, whose ordinary life is passed in dull sobriety, her unsophisticated intelligence gulped down his rococo allurements with peculiar zest.
In other countries the rococo taste had also taken hold.
One of these, with a display of shell-fish grouped about a miniature fountain in its window, confronted him ere long and he entered a rococo interior of mirrored walls.
He likes the rococo and the Victorian, ornament without any obvious utility, grace without any busy function.
His materials may be rococo, but not his use of them.

One might say more justly that when the Renaissance got intoxicated it became the Rococo.
This mannerism in its fulness and maturity is the Rococo.
The Rococo is violent in chains, insolent in constraint, drunken in sobriety.
The Pigtail is the dried-up Rococo, trimmed according to academic rules.
On that account one need not give up the general character of the period, and yet one can see how the Rococo still presses forward in the Pigtail age.
The favorite verse-form of their day, however, the stiff alexandrine, characterizes the Pigtail exclusively, not the Rococo.
Our South-German peasants still live completely in the Rococo as regards artistic taste.
The pleasure which the peasant takes in the Rococo, which has bravely survived so many changes in taste, is easily explained.
The peasant only appropriated to himself the Rococo out of the Pigtail of the last century.
Mesmer, Lavater, Athanasius Kircher, Cagliostro are such Rococo figures in the very midst of the Pigtail.
In the period of the Rococo a trading in secrets by individual scholars and artists had grown out of it.
Even today when a genre-painter wishes to paint real lifelike caricatures he paints them in Rococo costume.
Only in this unique age of the Rococo does it seem to us possible that such freaks could have walked the earth in the flesh.
The Rococo, however, can bear the strongest laying on of color and the most distorted forms.
And this contrast of the Rococo and the Pigtail still continues today, but veiled and in a new garment, not only on and in our houses but also in our public and private life.
Muenchhausen, the notorious liar, is a genuine Rococo caricature in the Pigtail age.
Pope makes him a wit, spirited, occasionally noble, full of points, and epigrams, and queer rococo conventionalisms.
The real sin of the Castle regime is that it is a sham, a rococo, a despotism painted to look like representative government.

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